Do One Thing At A Time!
claustrophobia
24 януари 2012, вторник
23 януари 2012, понеделник
accepted rules
По яко е когато имаш история, в която с последните си пари хващаш автобуса за да се видиш с Него.
Въображението нервно се надпреварва с трафика, нарушава всички възможни правила, пресича в най-дългото и изгубено в своята смотаност задръстване.
Изгубва се - Намира се. Той ме намира.
По яко е когато имаш история, в която с последните си пари купуваш билет за Единбург, Глазгоу, Амстердам, Берлин - anywhere.
История, в която случваш красивото. Но аз нямам такава история. Нямам никаква история, понеже с последните пари платих сметката за тока.
photo
17 януари 2012, вторник
IOGraph
след 50 минути пред екрана (с кратки прекъсвания между кафе-обличане-закуска)
Стартирате програмата и започвате да си вършите нещата, които обикновено имате да си вършите и след известно време се сещате да проверите каква абстракция е сътворила (неведомите пътища на) мишката.
Идеята е на дизаинера Anatoly Zenkov.
15 декември 2011, четвъртък
excerpted from Hitchcock by Francois Truffaut and Helen G. Scott
Francois Truffaut: Are you in favour of the teaching of cinema in universities?
Alfred Hitchcock: Only on condition that they teach cinema since the era of Melies and that the students learn how to make silent films, because there is no better form of training. Talking pictures often served merely to introduce the theatre into the studios. The danger is that young people, and even adults, all too often believe that one can become a director without knowing how to sketch a decor, or how to edit.
Truffaut: In your opinion, should a film suggest painting, literature, or music?
Hitchcock: The main objective is to arouse the audience’s emotion and that emotion arises from the way in which the story unfolds, from the way in which sequences are juxtaposed. At times, I have the feeling I’m an orchestra conductor, a trumpet sound corresponding to a close shot and a distant shot suggesting an entire orchestra performing a muted accompaniment. At other times, by using colours and lights in front of beautiful landscapes, I feel I am a painter. On the other hand. I’m wary of literature: a good book does not necessarily make a good film.
Alfred Hitchcock: Only on condition that they teach cinema since the era of Melies and that the students learn how to make silent films, because there is no better form of training. Talking pictures often served merely to introduce the theatre into the studios. The danger is that young people, and even adults, all too often believe that one can become a director without knowing how to sketch a decor, or how to edit.
Truffaut: In your opinion, should a film suggest painting, literature, or music?
Hitchcock: The main objective is to arouse the audience’s emotion and that emotion arises from the way in which the story unfolds, from the way in which sequences are juxtaposed. At times, I have the feeling I’m an orchestra conductor, a trumpet sound corresponding to a close shot and a distant shot suggesting an entire orchestra performing a muted accompaniment. At other times, by using colours and lights in front of beautiful landscapes, I feel I am a painter. On the other hand. I’m wary of literature: a good book does not necessarily make a good film.
08 декември 2011, четвъртък
daily inspiration #1
а клишетата се блъскат като
топка за скуош
правят рикошет
искат да излязат през очите ти
ако някой те докосне ще се счупиш
19 ноември 2011, събота
about digital culture and creativity
18 ноември 2011, петък
Абонамент за:
Публикации (Atom)